AN RSC, GOOD CHANCE, RACHEL STYNE AND JESSICA FOUNG PRODUCTION

9 JANUARY - 3 MAY 2025

“Sheer theatrical magic. Truly remarkable” - ★★★★★ WhatsOnStage

Hailed as a ‘genuinely daring’ (Evening Standard) ‘triumph’ (Telegraph), Kyoto has opened in London’s West End to rave reviews, an Olivier Award nomination for Best New Play and Best Supporting Actor, and is the ‘only play you need to see right now’ (Broadway World).

Brought to you by the Royal Shakespeare Company and Good Chance, transferring fresh from Stratford-upon-Avon, this ‘total thrill ride’ (Time Out) brings a world of hope to @sohoplace for a strictly limited season until 3 May.

Welcome to the Kyoto Conference Centre, 11 December 1997. The nations of the world are in deadlock and 11 hours have passed since the UN’s landmark climate conference should have ended. Time is running out and agreement feels a world away. The greatest obstacle: American oil lobbyist and master strategist, Don Pearlman…

“Breakneck pacing and vivid performances.” - ★★★★ The Stage

Featuring a ‘barnstorming performance’ (Financial Times) by Stephen Kunken (Billions and The Handmaid’s Tale), Kyoto sees Olivier award-winning directors Stephen Daldry and Justin Martin (Stranger Things: The First Shadow) reunite with Good Chance’s Artistic Directors and playwrights Joe Murphy and Joe Robertson (The Jungle), for this sharp, searing and darkly comic story of the moment all nations tried to set aside their differences for the sake of the planet. 

Both ‘gripping’ (The Times) and ‘extraordinarily funny’ (Variety), Kyoto seats you at the heart of the action, and shows that even in a climate of rapidly rising temperatures, the impossible really can become possible

“A crucial piece of theatre that nudges the world a little.” - ★★★★★ WhatsOnStage, West End

Kyoto is the only play you need to see right now.” - ★★★★★ Broadway World, West End

“Sensational on every level […] Kyoto is the first unmissable play of 2025 and that verdict may well be unanimous.” ★★★★★ All That Dazzles, West End

“Probably the most engaging, electric, urgent piece of theatre I’ve ever witnessed.” - Forbes, West End

“Tense and gripping. This play about the diplomatic consequences of commas deserves a string of exclamation marks.” - ★★★★ The Guardian, Stratford-upon-Avon

“Rich and vital.” - ★★★★ The I, Stratford-upon-Avon

“Such deftly handled material cuts through to the heart. And that, given the pressing need for collective action on climate, including by our politicians, is immensely heartening.” - Nature, Stratford-upon-Avon

“I hope Kyoto will have a discernible influence on millions around the world. I hope the play reaches audiences I could never dream of reaching through all the scientific papers I’ve ever written. And I hope it provides us with what mathematicians call an existence principle—proof that something difficult is possible. The existence principle in Kyoto is that humanity can and did come together in December 1997 and agreed to solve a seemingly intractable problem. See Kyoto if you can. It will inspire you to find your own way of changing our world for the better.”

- Ben Santer, Scientific American

Have you watched Kyoto and want to make your own “DISCERNIBLE” impact?

Not sure where to start? Already on your climate journey?

We’ve created a toolbox of ideas, big and small, at the intersection of personal, local and systemic change, to help us all take those next steps towards a sustainable future. Everyone’s different, so why not start with just one thing!

For those interested in the history that inspired the play, there is a wealth of brilliant books, such as Heroes of Environmental Diplomacy (Joanna Depledge), The Carbon War (Jeremy Leggett), Merchants of Doubt (Erik M. Conway, Naomi Oreskes), Survival Emissions (Prof. Mark Mwandosya), The Kyoto Protocol: International Climate Policy for the 21st Century (Sebastian Oberthür, Hermann E. Ott), The Kyoto Protocol: A Guide and Assessment (Michael Grubb, Christiaan Vrolijk, Duncan Brack) to name just a few, as well as many excellent documentaries, radio programmes and online sources. With heartfelt thanks to the real negotiators of Kyoto.

MEET THE TEAM

  • @sohoplace, London
    January - May 2025

    Stephen Kunken
    Don Pearlman

    Kristin Atherton
    Germany

    Jenna Augen
    Shirley

    Olivia Barrowclough
    Secretariat

    Jorge Bosch
    Raúl Estrada-Oyuela

    Nancy Crane
    USA

    Andrea Gatchalian
    Kiribati

    Togo Igawa
    Japan

    Aïcha Kossoko
    Tanzania

    Kwong Loke
    China

    Dale Rapley
    Bolin / Santer / Gore

    Raad Rawi
    Saudi Arabia

    Ferdy Roberts
    UK / Houghton

    Duncan Wisbey
    Fred Singer

    Karen Barredo, Jeffrey Chekai, Mark Hammersley, Moe Idris, Sibylla Meienberg
    Off-Stage Cover

  • Swan Theatre, Royal Shakespeare Company
    June - July 2024

    Stephen Kunken
    Don Pearlman

    Jude Akuwudike
    Tanzania

    Jenna Augen
    Shirley

    Olivia Barrowclough
    Secretariat

    Jorge Bosch
    Raúl Estrada-Oyuela

    Nancy Crane
    USA

    Vincent Franklin
    Fred Singer

    Andrea Gatchalian
    Kiribati

    Togo Igawa
    Japan

    Kwong Loke
    China

    Ingrid Oliver
    Germany / Angela Merkel

    Dale Rapley
    Bolin / Santer / Gore

    Raad Rawi
    Saudi Arabia

    Ferdy Roberts
    UK / Houghton

  • Joe Murphy and Joe Robertson
    Playwrights

    Stephen Daldry and Justin Martin
    Directors

    Miriam Buether
    Set Designer

    Natalie Pryce
    Costume Designer

    Aideen Malone
    Lighting Designer

    Christopher Reid
    Sound Designer

    Akhila Krishnan
    Video Designer

    Paul Englishby
    Composer

    Jane Moriarty
    Associate Director

    Gemma Stockwood
    Dramaturg

    Julia Horan CDG
    Casting Director

    Zabarjad Salam (Budgie)
    Dialect Coach

    Iain Syme
    Associate Video Designer and Programmer

    Hannah Ursula Schmidt
    Assistant Designer

    Thomas Tegento
    Trainee Director

The West End production of Kyoto is an RSC, Good Chance, Rachel Styne & Jessica Foung production.
In association with Nica Burns.

The original production of Kyoto was co-produced by the RSC and Good Chance, and generously supported by and is supported by The Dandu Foundation, The Ian McKellen Producer Grant, The Linbury Trust, The Crucible Foundation, Jessica Foung, and Alexander and Brenda Leff

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